Typographically, this was a very interesting project as the structure of the novel called for three different fonts. The two interconnected storylines were set in a serif and a sans-serif typeface, respectively. Interspersed headwords and chapter titles were set in a quite whimsical 16th-century blackletter.
15 × 22.5 cm
Clothbound hardcover with dust jacket
Printed by CPI Published by Steidl 2016